This sort of thing always intrigues me.
It’s a series of photographs of the four Brown sisters, taken every single year for the last forty years. My guess is that the sisters are very roughly my age, and it’s a sobering series to look at. I’m just going to reproduce the first one and then the most recent photograph for your perusal; you can study the rest at the link:
For many people, one of the hallmarks of aging is weight gain, which can make a person look even older, and a woman more matronly and frumpy. The Brown sisters seem to be on the naturally slim side; I don’t see a whole lot of weight gain in the photos, and yet time has not spared them.
Perhaps they live an exceptionally outdoorsy life without much sunscreen. Perhaps makeup—which all four seem to have eschewed for their entire lives—would help, especially as the bloom of youth wears off.
Maybe some of it is where the photos have been taken. Outdoor natural light is okay if it’s not direct sunlight, but the latter is harsh and especially unforgiving. In fact, as time progresses in the photo series, sometimes it seems to go backward and the women look younger in a later photo than an earlier one, which I attribute to the vagaries of lighting.
But much of what I notice has to do with emotions. The commentary at the article talks about the physical closeness of the sisters as the years go on, and the assumption is this expresses an emotional closeness. And perhaps it does. I don’t have sisters myself, but I don’t perceive so very much closeness when I look at the photos. It’s as though the closeness expressed by the touching is overriden by some other coldness I sense.
Perhaps it’s the New England thing. In general, having lived here for many years, I have to say the trend is for people to not be as touchy-feely-warm as those in more southern climes (and nearly all climes in the US are more southern).
But I wonder whether my perception about the sisters’ closeness is actually because of the complete absence of smiles in the photos. It’s not only the light that’s rather harsh in these photos, the affect is as well.
This is a decision the women must have made early on. We will not smile! Why that is I don’t know. Perhaps they wanted to defy convention and expectations for portraits. Perhaps they wanted to exhibit a gravitas despite their youth. Perhaps they realized they were making a document for the ages. Perhaps they’re just not a naturally smiley bunch. Perhaps the photographer (the husband of one of the women) suggested the seriousness. Perhaps they wanted to do something different. Well, they succeeded.
Why am I harping on the passage of time and the advent of aging in the photos? It’s almost unavoidable because of the format; you might say it’s the series’ theme. We know virtually nothing about the women other than their sisterhood, their New England setting, their clothing, and the fact that we see in stark highlight the passing of time reflected in the human face and form.
One of the ways in which age announces itself isn’t just lines and wrinkles and sags in the face and body, it’s also that instead of looking more like each other over time, the sisters resemble each other less as they grow older. Time etches a different tale in the face of each, and although we can’t read it clearly, we can see that each has become more distinctly herself, with her own private and public sorrows and joys marked on features that were once smooth despite their solemnity.
On Seeing Weather-beaten Trees
Is it as plainly in our living shown,
By slant and twist, which way the wind hath blown?



