I thought “Dunkirk” was the sort of movie that would be good to see in one of those RPX movie theaters. But I took the precaution of taking some earplugs along with me to protect my sensitive ears.
I was tremendously glad I did. One of the first things I noticed about the movie was the assaultive, hideous sound, which even the earplugs couldn’t dull enough for me. I felt the need to push them in deeper with my fingers and kept covering my ears, too. And even then, the blasting percussive bass made the seats vibrate so forcefully that it almost felt as though those Spitfires were flying right over us.
I assume that was the point. Unfortunately, it seemed to be almost the only point of the movie, which concentratee on giving the audience the feeling that we are participants in Dunkirk, The Video Game.
The film is a real blockbuster and has been widely and highly praised. But I had so many quarrels with it that I left the theater almost angry.
Let me start with the good stuff. The dogfights in the air—which make up a large portion of the film—were an astounding piece of filmmaking. I don’t really mean the fight portions, which were a bit muddled and hard to follow, but the flight part, the swooping and the chase and the wide expanse of sky and sea. The big screen really came into its own there, and it was truly spectacular. Reportedly those scenes were filmed with IMAX cameras – attached to the fighter planes using specially-made snorkel lenses – in the back and the front of each plane.
The technical aspects of those portions of the film were so impressive that I found myself wondering how it was done even as I watched, which could have distracted from my following the story except that there was really very little story from which to be distracted. If you already know the basics of what happened at Dunkirk, the film doesn’t give you much more: men were trapped there, some were killed there, and hundreds of thousands were successfully evacuated by sea. And the film concentrates on the first two parts and gives the third part rather short shrift.
Characters? You barely learn who they are. They don’t say much, and what they say is almost unintelligible. There’s almost zero historical context given for the entire thing, either. I kept wondering what young people, many of whom might not know what Dunkirk was, would be likely to take from this movie: that there were guys standing on a beach in a war, many died in harrowing ways, there was a lot of noise, and many were ultimately rescued.
And the music—ah, the music! It’s a very special part of the experience, a pile-driving discordant cacophony that augments the sound effects until you wonder which is more aurally disturbing, the sound of the bombing or the sound of the music. Yes, I know this is supposed to be “immersive,” but I found it took away from the plot and made it all about the movie rather than Dunkirk itself.
Have I forgotten anything? Yes—many of the actors look so much alike that unless you know who they are already (and I didn’t) you can’t tell most of them apart.
And then there is the movie within the movie—another, far more conventional movie that follows the doings of a small boat manned by three civilians who end up picking up various survivors. This boat is captained by actor Mark Rylance, whose performance features an old-fashioned approach to conveying some actual nuances of character (gasp!). But to do that he had to be given the opportunity—the time, and some lines of dialogue, and some peace and quiet in which to deilver them. It’s not the fault of many of the other actors that they weren’t given those opportunities.
“Dunkirk” cuts back and forth in time among several stories it follows—with the effect of making the viewer maximally confused, as far as I can see. But it also cuts and forth between the two widely different acting and directing styles, creating another discordance.
In preparation for seeing the movie I skimmed quite a few reviews and the vast majority were raves. Well, this review’s not among them. After I came back home and read some more, I did find one reviewer who disagreed with the others and whose opinion resembled mine: David Cox, writing in—of all places—the Guardian. His review is entitled, “Bloodless, boring and empty: Christopher Nolan’s Dunkirk left me cold.”
Preach it, brother, preach it.
By the way, it wasn’t just my delicate little ears that had trouble with the overwhelming sound:
It might be the loudest movie I’ve ever seen. I don’t mean like a gun shot here or an explosion there, I mean sustained loud noises for minutes at a time. For large sections of the movie the soundtrack and the effects merge in this cacophony of noise and it becomes difficult to differentiate between any of the sounds. On a number of occasions it actually distracted me from what was taking place on screen. If you have trouble with prolonged loud noises you might consider waiting to see this until you can control the volume.
And this:
Just finished watching Dunkirk IMAX 70mm at Metreon 16 in SF. Loved the movie but holyshit, this was definitely the loudest movie i’ve ever heard, and probably the loudest thing i’ve ever experienced. There are periods of sustained loud sound lasting 3-5 minutes at a time, and not just an instance or ‘bang’. I calibrate my sound setup to 75-85 db, this must have been 100-110 db. In every sense of the word, it was deafening and uncomfortable. I get immersion and all but yeah this was too much for me… prior i’ve never found a movie or concert/club was too loud, a first for me.
So i really recommend bringing ear plugs just in case you experience immense discomfort like i did… wish i knew before hand.
And the person who wrote that liked the movie.
By the way, actual veterans of Dunkirk had this to say about the sound:
Branagh said that about 30 veterans – now in their 90s – came to the U.K. premiere of the film last week, and when he asked them what they thought of it afterward, they said, “The film was louder than the battle!” They explained that on the actual beach, because that stretch of land is so large, the noise of the bombs drifted away on the air.
I didn’t feel comfortable taking my earplugs out until I was in the lobby of the theater.
[ADDENDUM: About people’s different reports on the loudness of the sound when they saw the movie—as I noted in the first sentence of the post, I went to an RPX theater to see it. That’s not quite IMAX, but it’s not a regular theater either. It’s got a much bigger screen than the usual, although smaller than IMAX. There are supposedly more speakers than in a regular theater, but the sound isn’t quite as over-the-top as IMAX.
I have a feeling I would have had trouble with the sound for “Dunkirk” in any theater, even a regular one, but I’m sure not going to go back and watch the movie again in a regular theater just to find out.]