The saying became a cliche (see above), but the idea that you shouldn’t trust anyone over 30 was coined during the Berkeley Free Speech movement of the mid-1960s. Those who said it, and believed it, have now been untrustworthy (over 30, that is) for many a long year.
I was reminded of the saying when I saw the headline to this article about Jodie Foster’s recent comments on the sexual harassment accusations in Hollywood and elsewhere:
“It’s every industry,” the actress said Wednesday. “It’s not just one socioeconomic bracket or one complexion. Pretty much every man over 30 has to really look and start thinking about their part. And I guarantee, lots of it is unconscious. When you’ve been in a privileged position where you haven’t had to look at your part, you didn’t 100 percent understand you were in a bubble. It’s an interesting time for men.
Oh, it’s an “interesting” time, all right.
And why the exception for those under 30? Foster added:
“I have two sons (ages 16 and 19), and I know their perspective,” the 55-year-old told the newspaper. “They go to a great school that has put them through the wringer about what consent is, what is humanism, what’s integrity. I just wish my generation had the benefit of that, and that everybody had the benefit of that.”
Perhaps some day we all will have the “benefit” of being “put through the wringer” of PC education or re-education. Till then, though, we’ll have to rely on our moral betters such as Foster.
And yes, yes, Foster is a lesbian. But I don’t think that’s so strong a factor here. What Foster said is non-controversial—maybe even mild—compared to the more strongly anti-male statements of some women who are quite heterosexual.
And then there other factors unique to Foster that may have been more relevant. I happen to basically like Foster as an actress, and remember her as an exceptionally talented (and precocious) kid actress. And because I remember her as a kid actress, I wonder what things she was subject to back then.
For example, you may remember (I certainly do) that Foster played a child prostitute in the 1976 film “Taxi Driver.” The prostitute was supposed to be twelve years old, and (unlike with many such situations, where the child is played by a somewhat older actor or actress) Foster herself was only twelve years old at the time.
That seemed like a bad idea then and it still seems like a bad idea now. Foster appeared to be a tough and mature kid, but twelve is twelve. It may have made for a better film, but (according to something I found by Googling it just now), Foster says it was very uncomfortable during the making of that film:
“They were very uncomfortable about my character. Nobody knew how to direct me.
“Scorsese would say something like ‘unzip his fly’ and just start laughing and not know what to do so he would hand it over to Robert De Niro and then Robert would tell me what to do.
“And he was even more ‘Robert De Niro’ then, even quieter and more strange.”
Just to be clear—this was all done in service of the script, not as some private exchange. The men seem to have been uncomfortable with it, too, and yet in the atmosphere in the 70s (this was roughly the same era as the Polanski rape, for example), it probably seemed tame and harmless enough. But I think the role itself was a form of institutional child abuse of a mild sort.
Child actors have been exploited in Hollywood for a long time—just look at the life of Judy Garland if you aren’t aware of it. But the roles they used to play back in the 30s and 40s and 50s were squeaky-clean. That certainly wasn’t true by the time Foster was acting.
Foster also was the target of another incident that must have been confusing and terrifying, at a still-young age. You may recall that Hinckley, Reagans’ would-be assassin, became obsessed with Foster in that movie:
Hinckley was suffering from erotomania and his motivation for the attack was born of his obsession with actress Jodie Foster. While living in Hollywood in the late 1970s, he saw the film Taxi Driver at least 15 times, apparently identifying strongly with Travis Bickle, the lead character portrayed by Robert De Niro. The arc of the story involves Bickle’s attempts to protect a 12-year-old child prostitute, played by Foster. Toward the end of the film, Bickle attempts to assassinate a United States Senator who is running for president. Over the following years, Hinckley trailed Foster around the country, going so far as to enroll in a writing course at Yale University in 1980 after reading in People magazine that she was a student there. He wrote numerous letters and notes to her in late 1980. He called her twice and refused to give up when she indicated that she was not interested in him.
Hinckley was convinced that he would be Foster’s equal if he became a national figure. He decided to emulate Bickle and began stalking President Jimmy Carter. He was surprised at how easy it was to get close to the president””he was only a foot away at one event””but was arrested in October 1980 at Nashville International Airport for illegal possession of firearms.
There’s much more—but the gist of it is that Hinckley turned his attention to Reagan and was nearly successful in killing him. What effect this all had on Foster can only be imagined; at the time, because Reagan and others were so gravely injured, it was not the focus of the story. In addition, Foster hasn’t spoken much about it publicly, and here she suggests that she has had to employ some survival techniques to stay grounded.
I would imagine that’s very true; she’s been through a lot. But blanket statements about whole swaths of men probably shouldn’t be one of those coping mechanisms, and it’s always a bad idea to think you know all that much about what’s going on inside a teenager’s mind, boy or girl.