On Thursday I wrote a very brief post linking to an article about Obama’s advisor Ben Rhodes and his influence on Obama’s foreign policy, particularly the Iran deal.
The Rhodes article was so disturbing it’s been the talk of the blogosphere for quite a few days (for example, see this, this, this, and this). In the ensuing time, as I’ve read more about it, I find I have a few things to add to the mix.
Here’s the original article that has caused all the fuss, a piece by David Samuels based on an interview with Rhodes. It’s long; I suggest you read the whole thing. But here’s an excerpt that tells you some of the things you need to know:
Like Obama, Rhodes is a storyteller who uses a writer’s tools to advance an agenda that is packaged as politics but is often quite personal. He is adept at constructing overarching plotlines with heroes and villains, their conflicts and motivations supported by flurries of carefully chosen adjectives, quotations and leaks from named and unnamed senior officials. He is the master shaper and retailer of Obama’s foreign-policy narratives, at a time when the killer wave of social media has washed away the sand castles of the traditional press. His ability to navigate and shape this new environment makes him a more effective and powerful extension of the president’s will than any number of policy advisers or diplomats or spies. His lack of conventional real-world experience of the kind that normally precedes responsibility for the fate of nations ”” like military or diplomatic service, or even a master’s degree in international relations, rather than creative writing ”” is still startling…
…One day, when Rhodes and I were sitting in his boiler-room office, he confessed, with a touch of bafflement, “I don’t know anymore where I begin and Obama ends.”…
Having recently spent time working in Hollywood, I realize during our conversations that the role Rhodes plays in the White House bears less resemblance to any specific character on Beltway-insider TV shows like “The West Wing” or “House of Cards” than it does to the people who create those shows.
If you have noticed that Obama’s “foreign-policy narratives” seem to not be grounded in anything as worldly or mundane as the facts of geopolitical history, you’d be right, and the abysmal ignorance of Ben Rhodes is one of the many reasons. The narrative has been elevated above the facts—they don’t need no steenking facts when they’ve got Ben Rhodes. In this I suppose he exhibits a sort of postmodern genius, because it’s worked, hasn’t it?
The tone of the NY Times piece is hard to characterize. It seems rather neutral and descriptive, and the reader is allowed to come to his or her own conclusions about the tale it chronicles of ignorance, deception, spin, and media complicity, as well as PR brilliance.
The author David Samuels indicates that most of us haven’t heard of Rhodes before, but those of us who follow the news most definitely have. I’ve been alarmed about him for quite some time, and wrote this piece three years ago, as well as this one in 2008, where I mentioned the Rhodes hire (he was then 30 years old) and expressed these reservations:
I understand that youth does not necessarily mean historical ignorance, but it does mean that a candidate should be extra careful to make sure his/her young speechwriters have a very strong grounding in the subject.
Obama may be unable to do this because he himself has a certain lacuna where in-depth historical knowledge ought to be. That should make him especially aware of hiring people who can fill in the gaps, but in order to do this he would have to acknowledge his own weakness, something for which he’s shown little capacity to date.
Well, that certainly panned out. The post also contained an excerpt from an article describing the fact that Obama and his writers seemed more interested in the “narrative” than in anything else. So this was all foreshadowed.
Other strange revelations in the Samuels piece are that the ignorant and inexperienced Rhodes, whose previous resume was limited to “writer” (and not an especially sucessful writer at that), had as one of his first official jobs the writing of the Iraq Study Group’s report, on which he had an enormous influence in terms of its conclusions. Yes, you read that right. He also helped write the 9/11 Commission report, and was absolutely essential to and very active in framing the Iran deal.
Obama’s speechwriter Jon Favreau was in part responsible for hiring Rhodes, and with no overt sense of irony Samuels has this to say about that:
The idea of someone with a masters in fiction who had also co-authored the Iraq Study Group and 9/11 Commission reports seemed perfect for a candidate who put so much emphasis on storytelling.
Samuels never directly condemns Obama or Rhodes, but he doesn’t seem to be praising them, either. Passages such as this one give you the tone of his article:
When I suggested that all this dark metafictional play seemed a bit removed from rational debate over America’s future role in the world, Rhodes nodded. “In the absence of rational discourse, we are going to discourse the [expletive] out of this,” he said. “We had test drives to know who was going to be able to carry our message effectively, and how to use outside groups like Ploughshares, the Iran Project and whomever else. So we knew the tactics that worked.” He is proud of the way he sold the Iran deal. “We drove them crazy,” he said of the deal’s opponents.
Yet Rhodes bridled at the suggestion that there has been anything deceptive about the way that the agreement itself was sold.
“The suggestion” of something deceptive must have come from Samuels, I’d imagine, but he doesn’t come out and say that. It’s a curious tightrope-walk of a piece.
So here’s my question to add to the mix: why did Samuels write this, and in particular why did the NY Times publish it? It seems to indict the Obama administration, if only indirectly. Do the Times editors see the story it tells us an admirable one? Have we come that far?
And why did Rhodes so freely give this interview and say things that would seem to the objective observer to be an indictment of himself and the administration? Is he so arrogantly confident that he and they are correct and all the experts wrong, and therefore all this spinning to get the narrative out is perfectly justified and wonderful?