I just couldn’t bring myself to watch the Oscars this year, even for the fashions.
I’ve only seen one of the movies this year that was nominated, “Bohemian Rhapsody.” It was fun (despite the historical inaccuracy typical of the genre), and I loved the music. But a great movie? No. And a great performance by Rami Malek, who won Best Actor for it? No, no, a thousand times no. Malek tried his best, and pretty obviously worked like a dog. But no—he doesn’t conjure up Freddie Mercury at all, at least not for me.
Now, I seem to be in the minority about that. In fact, I’m nearly alone in holding such an opinion. The critics didn’t like the movie all that much, although the public did (as I said, it was fun, and the music a romp through Queen’s great hits). But almost all the critics loved Malek and praised him to the skies.
Now, I’m not holding myself out to be a big Mercury expert. But I’ve seen some performance videos and a number of interviews with him, and in the movie Malek just doesn’t convey Mercury to me, despite the prosthetic nose and the prosthetic teeth and the incredible effort I’m sure Malek put into it. Nor was it Malek who was singing, for the most part, although that’s to be expected.
The poor guy was especially hampered by fake teeth that were too big for his face. While it’s absolutely true that Mercury himself had prominently protruding teeth, he also had a much bigger head and face, more regal and longer and just larger than Malek, and his teeth didn’t look as prominent and just plain odd as similar teeth look on Malek. Mercury’s teeth never dominated his face, but Malek’s did, and Malek never seemed comfortable in them. That’s a terrible handicap to overcome as an actor.
There was a lot more that went wrong. Malek has pale blue eyes, very arresting and hypnotic in the movie but nothing, absolutely nothing, like Mercury’s. And I’m not speaking just of the color, but the general look of the eyes. Malek looked very intense and almost in a trance much of the time, almost demented or possessed, which is not a look I’ve ever seen on Mercury’s face in any of the videos.
But most of all Malek didn’t move like Mercury, and since a great deal of the film is concert performances in which Malek mimics Mercury’s performing style and movements almost obsessively, this rings false for me. I think for most people, though, this aspect was the part that was most impressive of all in Malek’s performance. I’m sure it took a lot of study and practice by Malek to raise his arm a certain way at a certain time, just like Mercury had, and to use the same gestures and steps in general. But the effect was very different, at least for me.
Mercury had an unusual and idiosyncratic way of moving and in particular of standing when he performed. Mercury’s moves didn’t look choreographed; it seemed as though he was just moving as the music and his spirit dictated. But with Malek, it seemed apparent to me that he was thinking of his next move all the time and nothing seemed spontaneous (of course, it wasn’t spontaneous for the actor—but it would have helped if he could have made it seem spontaneous).
Mercury’s hallmark stance, especially when singing ballads, was to open his arms widely and expansively, throw his head waaaay back and turn his face up, and open and expand his chest. He’d often plant his feet in a wide stance that was somewhat turned out, edging towards the balletic. The entire effect was to say with his body: Audience, world, I love you, I’m open to you, I’m yours and you’re mine.
Not an easy thing to accomplish, and Malek never came close to the feel of that body language. He didn’t have the balletic stance, the line, or the emotional openness.
In addition, whatever their relative heights (I believe Mercury was somewhat taller than Malek is), Mercury certainly looked taller and just plain larger on stage, and had a dominant upper body and longer leaner legs. The long legs were what made him look tall. Malek looks wiry and compact, whereas Mercury was stretched out. And Malek’s legs are shorter in proportion to his torso, which makes him look short or at least shorter than he actually is, and helps to make his movements seem contracted and much smaller than Mercury’s.
I suppose I sound nitpicky. But things like this really disturb me, and I’m very sensitive to posture and movement. Between the marbles in Malek’s mouth, his stoned “Village of the Damned” eyes, and his tense body, it was a very interesting performance. It certainly didn’t bore me. But he seemed just plain weird to me in a way that Mercury didn’t.
But I’d rather discuss Malek and Mercury than the intensely boring and self-congratulatory Oscars.
NOTE: Here’s a video that shows Mercury performing a slow song and displaying some of the body language I’m talking about.
