If you’re unfamiliar with the genre of the reaction video, it involves a song – usually one popular between the 1950s through the 1980s, but it can be any song – which a person listens to for the first time while videoing himself or herself simultaneously reacting to it. The song performance is usually featured in a small square down at the bottom. The reactor is required to stop the recording at intervals and speak, or risk running afoul of the YouTube copyright ax.
One reason I’m so taken with reaction videos is that through listening to them music feels a bit more like a shared experience rather than a solitary one. Another is that I enjoy watching the surprise on the faces of the young people – and they’re almost always young – hearing the “old” music for the first time. In addition, their comments are sometimes poignant expressions of yearning for the sentiments of an earlier day compared to the harshness and vulgarity of today.
As far as I can see, the majority of the YouTubers who make reaction videos are not only young but they’re also black, and although they’re generally listening to classic American rock or pop, they often seen to be from Africa or some other foreign country. I don’t know why that might be.
I’ve mentioned several times that until recently I remembered very little about the Bee Gees, but that about six weeks ago YouTube reintroduced me via a video recommendation. It was a reaction video to the song “Too Much Heaven,” which turns out to be popular with reactors for some reason. The title didn’t ring a bell with me (I really only recalled “Stayin Alive” and “How Deep Is Your Love” of all their compositions), and I idly clicked on it.
That was the beginning of a very deep rabbit hole for me, as you know.
I realized immediately that I was already familiar with the song from over forty years ago. Perhaps it was the fact that for the first time I was listening to it with earphones instead of on an old record player, perhaps it was something about the visuals (I’d never watched the brothers perform it), or perhaps the reactor’s reaction had an effect on me, but I found myself mesmerized.
Watch reaction videos to this song, and you will often see women and men too – young, from every culture and of every race – react to the Bee Gees’ “Too Much Heaven” (written in 1978) with an initial smile, eyes widened in shock at hearing such high voices coming from these masculine-looking men, and then a smile as Barry sings in a falsetto so pure, so sincere, so full of completely controlled tremulo-vibrato, that you understand that they’re starting to fall in love with him or with the song or with something (men and women alike, but especially the women). His falsetto here is nothing like his hyper shriek in the group’s disco songs, which was meant to convey excitement and thrills – here it’s smooth and soothing.
And then there are brothers Robin and Maurice, who have a subsidiary but extremely important role to play in this song. They sway and bob gently, like sea anemones moving in a current of music rather than water. At one point, Barry suddenly enters a different zone. With eyes closed or half closed, or looking up at some imaginary vision, he cuts loose with more power in the falsetto. There’s a look of near-ecstasy on his face, which seems intimate and private even as it’s public, as though he’s making love to the music itself. And his brothers, who form the outer panels of the Bee Gee triptych to brother Barry standing in the middle (yes, he looks a bit like popular drawings of Jesus), glance at him or at each other and smile slightly. They know that the music they’re making together is sublime. The twins get their moment each time they sing the line, “Love is such a beautiful thing” (or “loving’s such a beautiful thing”; I’ve seen it written differently at different sites). Corny? Perhaps, but they pull if off so well that, if you didn’t already believe love is a beautiful thing, watching and hearing them sing that line could make you into a believer. As this guy says – and he speaks for many of the reactors who say something similar:
“Especially when you say it, it sounds more beautiful.”
Here’s another woman who speaks for a great many of these young reactors on the subject of “Too Much Heaven” and of the Bee Gees in general:
Take a look at the woman in this next video reacting to that same Bee Gees’ song. Watch her reaction when she first hears the Bee Gees’ falsettos. It’s not just surprise, it’s a relaxed kind of delight:
Here’s a compilation of short excerpts from reaction videos to the song, to give you an idea of the variety of reactions:
And here’s another reaction; these guys are brothers from Georgia (the country, not the state):
I could go on and on with this, but I’ll stop here and close with quotes from two comments seen at YouTube. The first is by someone whose first language doesn’t appear to be English:
just listen one song of BEE GEES, you suddenly find yourself listening the rest.
Drawn to it…”
I was one of those a-holes who hated everything about disco and the Bee Gees back in the day, but damn, after watching and listening to some of these YouTube videos, I’ve got a whole new respect for the band. S*** happens when you get old.
One more thing – here’s the original video, for you to see for yourself without interruption:
[NOTE: Although they’re singing in the video, you’re hearing multiple tracking they used for the audio of the studio version. They and their crew were production geniuses as well.]
