I’ve gotten fascinated by the process of songwriting, something I don’t understand. I think I can safely say I will never write a song. But there are people who do it from childhood on, over and over. Sometimes they never succeed, sometimes they’re one-hit wonders, and sometimes they seem to have the golden touch.
Sometimes they just know when something will be a hit. Sometimes they don’t. Sometimes they work a long time on the song, but often – more often than one might think – they describe the song as having arrived quickly, sometimes intact.
The prolific songwriting Bee Gees have spoken about this in interviews. They sometimes seem to be saying songs exist out there in some Platonic form and come to them in a mysterious way. It’s not just the Bee Gees, either; it seems to be a common perception among songwriters, and who am I to tell them otherwise?
Here’s a great story about a song like that, courtesy of song-receiver Richard Marx. I’m not keen on this particular song, but gazillions of people are:
He was waiting – for the song. And it arrived!
By the way, he looks really good in that video for 57.
Here’s the song itself:
And who was his fiance, and did she become his wife? I did some sleuthing around, and it seems very likely to have been actress/singer/dancer Cynthia Rhodes, whom Marx married around the time that song was released. Here are some interesting facts about her history:
Her most notable role was as dance instructor Penny Johnson in the hit 1987 motion picture Dirty Dancing with Jennifer Grey and Patrick Swayze…
Rhodes also appeared as a dancer in a number of music videos, including “Rosanna” by the band Toto, “The Woman in You” by the Bee Gees, and “Don’t Mean Nothing” by Richard Marx. She was a dancer for the glam rock band The Tubes when they toured in the early 1980s. Rhodes later joined the pop group Animotion, replacing their lead singer Astrid Plane, for the recording of their third album of original material. In 2002, Rhodes co-wrote the smooth jazz track “Perfect Day” with then-husband Richard Marx for December, trumpeter Chris Botti’s holiday album.
Rhodes and Marx were married for 25 years and had three children, but are now divorced. Funny thing, I was just watching that “Rosanna” video the other day. But although I’ve become familiar with a lot of the music of the Bee Gees, I didn’t previously know that Bee Gees song mentioned as having starred Rhodes in the video.
So of course I had to find it. It’s not one of my favorites, either, but the 1983 video is incredibly 80s in every way, and the brothers do a lot of funny bits in the first half (Barry’s hair toss at around 1:06 is especially amusing). The video’s a bit blurry, but it’s certainly viewable. Rhodes is – well, you’ll see her first in red, then in blue, and then in white. This came out the same year as “Flashdance,” in which Rhodes had a major role, and the second half of the video has a Flashdance vibe:
And just to round the whole thing off here’s Lucas Marx, one of Rhodes’ and Marx’s three sons, all of whom are musicians. He looks a fair amount like Dad and even has a similar high and light voice, but his voice has that modern twist that I can’t stand that makes it sound artificial to me. Is it a diction thing? Some technology they use with the voices to distort them, like autotune? It has that “slide-y” and metallic effect:
