Here’s a comment about the song “Dust In the Wind,” on the thread about the death of Robby Steinhardt, the violinist for the group Kansas:
Sorry Neo, but that is about the tritest sappiest song there is. As if the thoughts therein had never occurred to everyone on the planet before.
Taste in music – and lyrics – differ, as the music threads on this blog amply demonstrate. But I take issue with that particular comment, and I’ll tell you why.
It’s not that the song is an absolutely enormous favorite of mine, although I do like it quite a bit and so do gazillions of people around the globe. The fact that it’s a very popular song doesn’t make it trite and sappy nor does it mean it’s not trite and sappy. But I submit that it is highly unnecessary for a thought – whether in essay, poem, or song lyric – to be utterly original in order to be worth saying again. As Alexander Pope wrote:
True Wit is Nature to advantage dress’d
What oft was thought, but ne’er so well express’d;
Something whose truth convinced at sight we find,
That gives us back the image of our mind.
The new version of the older thought (or the older truth) can serve to create an “aha!” moment in the listener or reader that is sometimes profound – a kind of resonance and vibration at a different speed or pitch. There are few original insights (which is in itself an unoriginal insight), but that doesn’t negate art. Nor is restating them in different form a case of the creator trying to imply that the thoughts “had never occurred to everyone on the planet before.”
In the Byrds’ 1965 song “Turn, Turn, Turn” (there was an earlier one in 1962, but it was the Byrds who popularized the song), much the same ideas are expressed but keeping the words in a much earlier form, that of the biblical Ecclesiastes. The song was also very popular, and I wounder how many people recognized the source. No matter; it bears repeating – and when set to music the same thoughts acquire a different aspect and touch a different part of the heart and mind.
Music can reach us on a deep level. So can words alone, but words set to music enter by a different avenue. Music alone or music with lyrics can cause tears in the listener in ways that the same words alone are sometimes less likely to do. It’s true of classical music or pop music, and some people respond better to one over the other although some people are very fond of both.
You don’t have to like “Dust In the Wind.” You are welcome to think it trite and sappy. But “trite” – meaning “hackneyed or boring from much use : not fresh or original” – and “sappy” – meaning “overly sweet or sentimental” – can be synonyms for “wise” and “meaningful.” I also submit that there’s nothing sweet or sentimental about the “Dust In the Wind” lyrics, but that’s not the point.
The thoughts in that song have been expressed so many times I could not even begin to list them. And yet people seem to want to express them again, in different form. I’ll close the post with one of the more famous statements of the idea. I could have selected any number of verses, but here are a few:
The Worldly Hope men set their Hearts upon
Turns Ashes—or it prospers; and anon,
Like Snow upon the Desert’s dusty Face
Lighting a little Hour or two—is gone…Why, all the Saints and Sages who discuss’d
Of the Two Worlds so learnedly, are thrust
Like foolish Prophets forth; their Words to Scorn
Are scatter’d, and their Mouths are stopt with Dust.Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown for ever dies…One Moment in Annihilation’s Waste,
One moment, of the Well of Life to taste—
The Stars are setting, and the Caravan
Starts for the dawn of Nothing—Oh, make haste!…The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.


