It’s a sign of the weariness of our times that Elizabeth Drew reports in the Washington Post on the exceedingly odd fact that many who are sick of Bush seem to be longing for the days of Richard Nixon, whose Presidency is now enveloped in the warm glow of nostalgia about his relatively liberal domestic programs. Drew tries to nip this dangerous feeling in the bud, asking that newfound Nixonphiles place Nixon in the context of the times in which he governed and realize that he hardly had a choice, since he had to deal with one of the most powerfully liberal Congresses of all time.
Since I’m in New York City right now (and the Tony’s are tomorrow night), I’ll mention that some of this Nixonomania is currently reflected on Broadway in the play Frost Nixon (that title could use some work), based on Nixon’s post-Watergate interviews with British television personality David Frost in 1977. The interviews’ claim to fame is that Frost managed to elicit an apology from Nixon about Watergate and, according to this review, playwright Peter Morgan indicates that this was Frost’s real goal in soliciting the series of Nixon interviews.
Ah, apologies from public figures! The Sanity Squad talks about the phenomenon here; I personally think such apologies are vastly overrated; any interest I might have in whether Nixon ever apologized or not is purely psychological rather than political. The play—and the misplaced nostalgia—don’t surprise me, however; the past is often enveloped in its misty glow, and movies and plays are now a huge venue for the “learning” of history.
My memory of Nixon is that he was hated every bit as much as George Bush is now, perhaps even a bit more. Nixon-hatred predated Watergate, as well, just as Bush-hatred predated the war in Iraq. The latter two events merely gave the hatred a greater focus, but the original hatred had to do with a combination of personality and policy, with the former leading the way (remember, that’s “hatred” as distinguished from mere “strong disagreement”).
If you’re interested in a more historically correct (and “nuanced?”) reflection on the play and the genesis of the Nixon apology, as well as Nixon’s character, see this account from Robert Zelnick, a journalism professor and editor of the original Frost/Nixon interviews. In fact, although the play portrays Nixon as trapped by Frost into the dramatic apology, Nixon’s staff had entered the interview arena with the goal of just such an apology, and facilitated and coached Nixon in that direction.
It makes for better drama, I suppose, to bend the truth somewhat to make the camps more oppositional. But the truth was dramatic enough, and somewhat Shakespearean: the fall of the mighty, and the emotions of a man who had lost what he most desired—the good graces of history—through his own paranoia and hubris.
Of course, life is short and history is long. History is probably not through with Richard Nixon. As Zelnick points out, even in the ex-President’s own lifetime, Nixon’s rehabilitation had already begun.



