I’m currently reading I, Maya Plisetskaya, the autobiography of the wonderful Russian dancer about whom I wrote this tribute. She was known for vivacity, smoldering sensuality, and her powerful yet graceful jump, the latter of which she describes as follows:
I quickly grasped the “jumping” mazurka in “Chopiniana” in two rehearsals with the rehearsal coach…and I danced it with thundering success. Nature had not passed me over when it came to jumps, and I flew across the stage in three jetés…I deliberately tried to hover in the air at the top of each leap, and the audience responded enthusiastically. Each leap was accompanied by a crescendo of applause. I myself couldn’t have imagined that the audience would take such a liking to this little trick.
Is this possible? Continue reading →
