I recall a performance of the Moiseyev Dance Company’s “Partisans” as the single most exciting theatrical experience of my life. It occurred back when I was a little kid and the company was on its very first visit here.
A couple of years ago when I searched YouTube for a video of the dance, which is the venerable Moiseyev’s signature piece, it was—alas!—nowhere to be found. So imagine my thrill recently when I discovered it had subsequently appeared.
However, as I watched, I would have thrown something at the screen had it not been my own computer I’d be damaging. A mere shadow of what it should be, too much of the time it’s either shot from too far away or too close. The fabulous ending, where each couple in turn goes from casual trot to full speed ahead in an instant (you’ll see what I mean if you watch), is ruined by focusing on closeups of the wrong couples at the wrong time, missing the moment of transition for most of them.
And yet, and yet…enough remains of the magic for me to post this video for those of you who’ve never seen it. Yes, it’s very hokey and corny and gimmicky. Yes, it’s about the USSR’s WWII partisans, celebrating the glory of the brave Russians and all that jazz. But what a fabulous illusion it presented (especially as a child)—an illusion far more magical in the theater than in this video. It seemed impossible that dancers could glide across the stage and look as though they were on conveyor belts or roller skates, and yet be creating the effect with nothing but their bodies and their own two feet.
Oh, and as a child, it was altogether thrilling when one of the dancers was suddenly revealed—as her hat fell off, seemingly accidentally, at a well-timed moment, as in this video—to be a woman! I seem to recall in the olden days the dancer had long flowing red hair, which was far more effective. But no matter.
Take a look:
