This post was sparked by this question from commenter “IrishOtter49”:
This is a serious question. Can women with an, er, “ample” bust be ballet dancers?
Commenter “om” replied thusly:
If you are jumping, spinning, bending at the waist, rapidly at times, in cadence with a musical accompaniment, and of course trying for grace and art, or being thrown into the air by your partner, excess mass and non-muscular tissue is probably a burden.
If for no other reason than it places extra stress on the bones, joints, etc.
It seems that this type of dance is very demanding physically and very competitive. Physical and aesthetic selection against hearty gals as well?
My answer is in line with that. Thin dancers are easier to lift, plus the shapes they make in space seem to most viewers to be more elegant and streamlined. Jumps are harder for heavy people, as well, and even turns can be harder because the center of gravity is less of a plumb line.
And imagine how much more difficult it is to carry extra weight while dancing on pointe.
Therefore, since for the most part slender women have smaller breasts – breasts are made mostly of fatty tissue, after all – it is very rare indeed for a professional ballet dancer to be well-endowed. When we see slender women with big breasts these days, it’s certainly possible they are natural – such women do exist – but it’s more likely that implants are involved. There is little reason for a ballet dancer to avail herself of implants; it’s just not an advantage at all.
However, I bring you Gloria Govrin as an example of the most well-endowed ballet dancer I can recall. She’s still alive and is in her early 80s, but in her heyday she was a soloist with George Balanchine’s New York City Ballet. Most female dancers and even many male dancers tend to be on the short side, but Govrin was 5’10” while not on pointe. So she was very impressive onstage and made quite an impact. Because of her height, Balanchine tended to give her solo parts rather than pas de deux with a male partner.
Here’s an article with a photo:
Govrin, currently the artistic director of Eastern Connecticut Ballet, stands at five feet, ten inches. Though choreographer George Balanchine initially discouraged her from trying to become a professional dancer, he changed direction, and hired her for the New York City Ballet.
She became a soloist, and upended the longstanding idea of what a female ballet dancer should look like.
“For him, his dancers were inspiration and he once told me that he never saw anybody my size move the way I moved, and he was intrigued,” Govrin recently said on WNPR’s Where We Live.
“I had a different kind of career. It wasn’t the kind of career where you did the ballerina pas de deux kind of — there weren’t many tall boys in the company so it was difficult,” she said. “So what he did, was he created solos for me.”
Now, don’t get me wrong; Govrin wasn’t Jayne Mansfield or Sophia Loren. But for a ballet dancer, she was slightly more well-endowed than usual. Here she is in 1965. I’ve cued it up for her solo, which lasts about two minutes: