Gerard Vanderleun has called our attention to a campaign poster of Obama, created by graphic artist Shepard Fairey in his characteristic retro-Soviet style: It’s really got it all, hasn’t it? The iconic angle of the fearless idealized leader as seen … Continue reading →
I’m in New York for Thanksgiving, and yesterday I visited the Guggenheim. The nice thing about the Guggenheim is that even when the exhibits are awful the Frank Lloyd Wright building is still fun: And in this case the exhibit … Continue reading →
The news that a sculpture entitled “My Sweet Lord” (after the Beatles song, no doubt, crossed with Tom Waits)—due to debut at a New York Hotel and consisting of a six-foot tall anatomically correct chocolate Jesus—has been canceled, conjures up … Continue reading →
The last post of mine (number two in this series) generated so many exceptional comments that I was thinking of just reproducing a few of them and calling it a day. Here‘s one by grackle: One problem with Rockwell for … Continue reading →
[Part I here.] Now, who doesn’t like Norman Rockwell? Yeah, he’s corny as all get out. But breathes there the man (or woman) with soul so dead who wouldn’t be touched by this picture, and a host of others by … Continue reading →
Those of you who read here regularly have probably noticed I’ve been mulling over the uses of propaganda lately, especially here, and again (at least to a certain degree) here . At some point it occurred to me that nearly … Continue reading →
No, I’m not becoming a Dean Esmay stalker, or tailgater, or whatever the expression might be, although today’s post was sparked by one of Dean’s, once again. The subject? Female nudity in popular magazines: to wit, the following cover of … Continue reading →
Who is this woman? The serene young artist, glowing with life: The worn-out older woman, lines of age etched deeper by profound grief: She’s Kathe Kollwitz, one of the greatest graphic artists of all time, in two of her extraordinary … Continue reading →