Here’s a palate refresher for you. I complain a lot about how much the art of dance has been sacrificed to the extremes of contemporary ballet technique. And all too often that’s the case. But here’s a couple I encountered … Continue reading →
I’ve finally located a certain video, discovered while I was at YouTube engaged in one of my favorite activities: procrastination by chain-viewing. You know what chain-viewing is. You watch a video, and then plan to click on just one more … Continue reading →
Ballet specializes in transformations. After all, it changes the human body from a lumbering earthbound thing into an ethereal yet steely and gravity-defying, lighter-than-air, transporter of the audience into realms of beauty and transcendence. Yes, it can be corny, especially … Continue reading →
I recall a performance of the Moiseyev Dance Company’s “Partisans” as the single most exciting theatrical experience of my life. It occurred back when I was a little kid and the company was on its very first visit here. A … Continue reading →
Those of you who are not into frivolity, skip this one. But as for me, I welcome the chance to watch Ralph Macchio, the long-ago “Karate Kid,” do a credible jive on “Dancing With the Stars.” He’s fun to watch. … Continue reading →
It’s a bit funny to me that the film “Black Swan” is about doubling—a woman taken over by another self—and that Portman is being haunted by a double in real life: Sarah Lane, the woman who alleges she did 95% … Continue reading →
This kind of Georgian, and this sort of knife: I don’t know which seems more dangerous, the leaping up and crashing down on the knees, or the throwing of the daggers. I do know, however, that I agree wholeheartedly with … Continue reading →
Take a look at this photo of dancer Isadora Duncan and see how powerful it is. I challenge you to find anything remotely like it in a contemporary dancer. But then, Duncan was sui generis even in her time, or … Continue reading →
“Black Swan” was one of those movies I just had to see. After all, it’s described as a psychological thriller about ballet. So, what’s not to like? Well, just about everything. I didn’t merely dislike this film, I loathed it. … Continue reading →
…the hypocritical Sally Quinn. Although from the looks of things, it seems Quinn had already self-skewered. The whole thing’s about the burning topic of ethics and “Dancing With the Stars:” who should have won, and what constitutes cheating in the … Continue reading →
For those of you who read and enjoyed last Saturday’s post on tap dancing, and especially the clips of the Nicholas Brothers, here are some additional nuggets of interest: (1) The brothers were the children of vaudevillians, and never had … Continue reading →
Let’s take our minds off politics for a while, shall we? Here’s a video of the fleet-footed, technically adept, incredibly klutzy and profoundly uninteresting (to me) Savion Glover, giant of tap dancing for the last couple of decades: And here … Continue reading →