All dancers are unique. But some are more unique than others.

Suzanne Farrell may have been the most unique of all – that is, I’ve never seen another dancer who reminds me of her in the least. The closest would be Galina Ulanova, who shares the interior-ality (is that a word?) of Farell’s presentation as a dancer; that is, the sense that she is lost in her own world and not performing or posing. I’ve seen interviews where Farrell has been asked whether, when she was growing up, she wanted to be a ballerina, and she has answered that she only wanted to dance. She is a highly unusual person.

There is a documentary about Farrell made in 1996, about seven years after she retired from her performing career, a career that began when she was a teenager and the New York City Ballet was under Balanchine’s direction. He was about forty years older than she was and became enthralled with her, not just as a dancer but in the romantic sense. They had a complex relationship that was never sexually consummated and which Farrell discusses in the documentary. I think that even in the film’s first few minutes you can see why she enchanted Balanchine so.

Unfortunately it’s not possible to embed the video, but you can watch it here. You don’t have to see the whole thing to get the flavor, although I certainly watched it in its entirety. Watch as much as you like.

Farrell also has said that you reveal your personality when you dance. That is very very true. It’s revealed in a million ways both subtle and unsubtle. The audience may not be able to describe or list them, but the audience perceives them. A dancer is relaxed or tense, self-centered or not, risk-taker or cautious – but it’s all there for the world to see. Farrell herself always seemed relaxed, in her own dreamworld but it was not at all about her, and a physical risk-taker. Although she was never flashy or show-offy, she nevertheless knocked people’s socks off.

Another thing Farrell said in another interview was that a dancer must fascinate the audience even before the dancer starts to dance. Just standing still onstage, he or she must fascinate. The strange and uncanny thing is that Farrell did exactly that, although I don’t know how she did it. Even when she was dancing as part of a group, which she didn’t usually do, one could always spot her not just through her looks or body proportions but through her unique and riveting – that is, fascinating – quality of movement.