To liberty: Happy Fourth of July!
[NOTE: This is a repeat of a previous post. It was written in the springtime quite few years ago, during a visit to New York.]
I’ve been visiting New York City, the place where I grew up. I decide to take a walk to the Promenade in Brooklyn Heights, never having been there before.
When you approach the Promenade you can’t really see what’s in store. You walk down a normal-looking street, spot a bit of blue at the end of the block, make a right turn–and, then, suddenly, there is New York:
And so it is for me. I take a turn, and catch my breath: downtown Manhattan rises to my left, seemingly close enough to touch, across the narrow East River. I see skyscrapers, piers, the orange-gold Staten Island ferry. In front of me, there are the graceful gothic arches of the Brooklyn Bridge. To my right, the back of some brownstones, and a well-tended and charming garden that goes on for a third of a mile.
I walk down the promenade looking first left and then right, not knowing which vista I prefer, but liking them both, especially in combination, because they complement each other so well.
All around me are people, relaxing. Lovers walking hand in hand, mothers pushing babies in strollers, fathers pushing babies in strollers, nannies pushing babies in strollers. People walking their dogs (a preponderance of pugs, for some reason), pigeons strutting and courting, tourists taking photos of themselves with the skyline as background, every other person speaking a foreign language.
The garden is more advanced in time than gardens where I live, reminding me that New York is really a southern city compared to New England. Daffodils, the startling blue of grape hyacinths, tulips in a rainbow of soft colors, those light-purple azaleas that are always the first of their kind, flowering pink magnolia and airy white dogwood and other blooming trees I don’t know the names of.
In the view to my left, of course, there’s something missing. Something very large. Two things, actually: the World Trade Center towers. Just the day before, we had driven past that sprawling wound, with its mostly-unfilled acreage where the WTC had once stood, now surrounded by fencing. Driving by it is like passing a war memorial and graveyard combined; the urge is to bow one’s head.
As I look at the skyline from the Promenade, I know that those towers are missing, but I don’t really register the loss visually. I left New York in the Sixties, never to live there again, returning thereafter only as occasional visitor. The World Trade Center was built in the early seventies, so I never managed to incorporate it into that personal New York skyline of memory that I hold in my mind’s eye, even though I saw the towers on subsequent visits. So what I now see resembles nothing more than the skyline of my youth restored, a fact which seems paradoxical to me. But I feel the loss, even though I don’t see it. Viewing the skyline always has a tinge of sadness now, which it never had before 9/11.
I come to the end of the walkway and turn myself around to set off on the return trip. And, suddenly, the view changes. Now, of course, the garden is to my left and the city to my right; and the Brooklyn Bridge, which was ahead of me, is now behind me and out of sight. But now I can see for the first time, ahead of me and to the right, something that was behind me before. In the middle of the harbor, the pale-green Statue of Liberty stands firmly on its concrete foundation, arm raised high, torch in hand.
The sight is intensely familiar to me—I used to see it frequently when I was growing up. But I’ve never seen it from this angle before. She seems both small and gigantic at the same time: dwarfed by the skyscrapers near me that threaten to overwhelm her, but towering over the water that surrounds her on all sides. The eye is drawn to her distant, heroic figure. She’s been holding that torch up for so long, she must be tired. But still she stands, resolute, her arm extended.
Beautifully done Neo
HART CRANE:
How many dawns, chill from his rippling rest
The seagull’s wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty—
Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
—Till elevators drop us from our day . . .
I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;
And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,—
Implicitly thy freedom staying thee!
Out of some subway scuttle, cell or loft
A bedlamite speeds to thy parapets,
Tilting there momently, shrill shirt ballooning,
A jest falls from the speechless caravan.
Down Wall, from girder into street noon leaks,
A rip-tooth of the sky’s acetylene;
All afternoon the cloud-flown derricks turn . . .
Thy cables breathe the North Atlantic still.
And obscure as that heaven of the Jews,
Thy guerdon . . . Accolade thou dost bestow
Of anonymity time cannot raise:
Vibrant reprieve and pardon thou dost show.
O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet’s pledge,
Prayer of pariah, and the lover’s cry,—
Again the traffic lights that skim thy swift
Unfractioned idiom, immaculate sigh of stars,
Beading thy path—condense eternity:
And we have seen night lifted in thine arms.
Under thy shadow by the piers I waited;
Only in darkness is thy shadow clear.
The City’s fiery parcels all undone,
Already snow submerges an iron year . . .
O Sleepless as the river under thee,
Vaulting the sea, the prairies’ dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.
Hey, they made a documentary about me.
https://www.youtube.com/watch?v=p3nHVZ6PFQM
And do you know what I found? People like you.
The Chuckie V is my old ship. Ask me about the ROE coloring book.
It is still too early the fireworks.
A lovely vision. It reminded me of Whitman’s Mannahatta, especially:
The parades, processions, bugles playing, flags flying, drums beating;
A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men;
The free city! no slaves! no owners of slaves!
The beautiful city, the city of hurried and sparkling waters! the city of spires and masts!
The city nested in bays! my city!
The city of such women, I am mad to be with them! I will return after death to be with them!
The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
HUZZAH!
Unfortunately, NY,NY is not a place where life, liberty, and the pursuit of happiness is welcome, Sad, but true.
neo, I think you are a better person than I am. All ponies and puppies should be assigned to you. But then Balto.
https://www.centralpark.com/things-to-do/attractions/balto/
Hope you visited his statue.
Maybe some other time we can visit over the pony sized horses of the Camargue or Iceland or Ireland. Especially Iceland which won’t bounce you around.
I have to reserve some of the puppies and ponies to myself.
https://upload.wikimedia.org/wikipedia/commons/6/6f/Military_dog_and_handler.jpg
Halloween, 2002. Cute little girl rings my bell. As I’m answering the bell I hear Rikki escaping his enclosure. If you are not familiar with the breed, Chesapeake Bay Retrievers and the Rotties of the retriever line. After a nitght of hunting the dog would guard the boat and gear while the hunter went to town to sell the night’s produce.
So Rikki thinks he needs to protect me. Understand this is happening too fast for thought. She screams. I grab ne collar. I put the dog down. BECAUSE I WILL NOT HAVE A DOG THAT IS A DANGER TO A CHILD.
Why her parents didn’t sue I still don’t know.
Actually I put the dog down a couple of years later when he launched himself at my then wife.