It’s quite good.

Pay careful attention during the opening titles for a dismayingly young looking ingenue named “Cindy Crawford” crossing the street.

You are a champion!

Memoir of a Musical Miracle Max –
Our leading man was a perfect fit for the role, but he had trouble staying on pitch during his solos. Not a good thing.
The “orchestra” was a lone pianist, recruited from a not-too-distant college by our director, as they were buddies while in school.
I was his page turner.

In the middle of one song, the pianist suddenly lifted his fingers from the keyboard and cocked his ear toward the stage. He shifted his hands down note by note, clearly matching the pitches in his mind to what he was hearing from the singer, then resumed playing in the new key, transposing the score on the fly for the rest of the song.

I was probably the only one in the auditorium who noticed.

After the duel, the judge ruled he had to take care of the man’s child who happened to be Morse’ character.

So we watched the film “How to Succeed …” shortly after that. I remember him from my childhood probably because of that film, but I’m sure a couple other things as well. Perhaps, Where Were You When the Lights Went Out? (1968).

He was the best at that youthful style of comedic acting. Rick Moranis did a great deal of that type of acting, but not as well IMO.

Rest in Peace.